![]() If you're lucky enough to have a whole set of early UK or US pressings in immaculate condition, and/or all the Classics, you should be satisfied. They sound very good/excellent across the board. Der Tod des Schlagzeugers John Bonham im September 1980 2 markierte das Ende der Band, 3 die mit dem Snger Robert Plant, dem Gitarristen Jimmy Page und dem. 1968 gegrndet, gehrt sie mit 300 Millionen verkauften Alben zu den erfolgreichsten Bands berhaupt. The Davis reissues have a lot of fans 'round here, even some of the CD versions. Led Zeppelin ldzpln (anhren / i) war eine britische Rockband. The How The West Was Won and BBC Sessions vinyl are excellent as well, and I didn't even expect those to be part of the program. In that sense, Jimmy's comments about the 2014-16 LZ reissues aren't laughable at all. The pressings themselves are excellent, as good as the ones coming out of the Neil Young Archives, Zappa Family Trust, and Experience Hendrix reissue programs. The band has headlined arenas across the USA, Canada, Mexico, Chile, Russia and India performing in front of thousands making them one of the biggest touring production Led Zeppelin tribute bands to date. The Davis reissues are generally plentiful and affordable. Led Zepplica has been performing as an entity since 1989 nationally and internationally. I should have been paying attention, but I'd written off vinyl almost completely at the time. I have the 200g version of the 4th album, and I love it. ![]() Are my dreams of a Led Zeppelin II One Step or UHQR a fantasy until the remaining members pass away or will it get worse? I see the PF catalog is up for sale and I understand there is a asking price of $500 million.Ĭlick to expand.The Classics were a good idea, and not priced in the stratosphere when they were in print. With that said, how did the Classic reissues come to pass from a cost benefit analysis? What is different now? I’d figure now there is a larger market demand for vinyl so volume would help to cover costs but I know nothing about this. ![]() I understand paying the licensing fee must be steep especially if a band is a big deal like Zeppelin or Floyd. For her book, It Still Moves: Lost Songs, Lost Highways, and the Search for the Next American Music, longtime Pitchfork staffer Amanda Petrusich hoped to nudge our. I need to be schooled on licensing and how that affects MoFi or Analogue Productions ability to put out these albums. I tried a new reissue of Led Zeppelin III and stopped at that point. I currently have a few copies of each album, mostly Japanese pressings and a few Canadian and US pressings but nothing of significance from a SQ stand point. As a newer fan of Led Zeppelin and some what of new comer to vinyl, I missed the Classic reissues.
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